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COMIC BOOK MEN: SEASON 1 - REVIEW

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Led by Kevin Smith, Comic Book Men was AMC's geekier version of a Pawn Stars -style reality show with Red Bank, New Jersey comic-book store Jay & Silent Bob's Secret Stash as the central setting. Cleverly using a podcast recording as a framing device, the show would include goofy comics-themed conversations, transactions with customers selling or purchasing all kinds of items and a mini-storyline involving the main cast. A sort-of spin-off from popular Smodco podcasts Tell 'Em Steve-Dave and I Sell Comics , the cast in question was a mix of both with Walt Flanagan and Bryan Johnson joining Ming Chen and Mike Zapcic behind the Stash's counter. Season 1 is a short one in that it only has 6 episodes but each of them is about 45 minutes long, a running-time that would be reduced by half soon enough. And this is why this first season remains the best of the bunch: by giving us more time with the cast and having more space to develop the main stories, the show allo

THE TOY - REVIEW

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Shortly before Gene Wilder turned a French film into The Woman In Red , we got The Toy , a remake of Francis Veber's Le Jouet starring Richard Pryor in the role originally played by Pierre Richard. It did well at the box-office despite critics not exactly praising it. One of the many Francis Veber comedies to be adapted into Hollywood films, The Toy should have been a breeze with its simple concept leaving little room for messing up and the reliable Pryor doing his thing. For the most part, this remake is pretty faithful to the original film as a rich, spoiled kid (played by Scott Schwartz) basically buys a grown man as a toy just to annoy his distant father only to find that a friendship develops between he and his purchase. The key scenes from the French film are recreated here from Pierre Richard's slapstick shenanigans to the kid's creation of a newspaper exposing his father's cold approach to everyone. As hard as he tries to make the film fun, Richard Pryor f

SUPERMAN/BATMAN: PUBLIC ENEMIES - REVIEW

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This animated DC feature from 2009 teamed-up iconic heroes Superman and Batman with Tim Daly and Kevin Conroy returning to voice their respective roles. The film sees Lex Luthor become President of the United States and a Kryptonite meteor head for Earth. Lex Luthor's rise to power is one that should have prompted some pretty exciting physical and psychological clashes between Superman and his arch-enemy and, to a certain extent, we get that with most superheroes and villains working for Luthor being sent out to stop both Superman and Batman, who obviously refuse to believe this new public persona of his. This makes for some entertaining fight scenes packed with familiar faces from Captain Marvel to Hawkman, Katana and many others. In the end, we of course get a Superman vs Luthor one-on-one. This is very much a brawl with a lot of punch-outs so if it's non-stop action you're looking for then you won't be disappointed with this one. Superman/Batman: Public Enemies

STIR CRAZY - REVIEW

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After the success of Silver Streak , Gene Wilder and Richard Pryor were cast as the leads in Stir Crazy , a comedy from 1980 about two friends on a road trip across America who are mistaken for bank robbers and sent to prison after a particularly harsh ruling. We follow Skip (Wilder) and Harry (Pryor) as they enter the Southern prison and try to survive as long as possible behind bars while their lawyer attempts to prove their innocence. Skip is the optimistic writer who believes there is good in everyone and Harry is the realist who just wants to keep his head down. Later on, when the warden is testing prisoners to take part in a rodeo competition, Skip proves himself to be a natural and agrees to ride in the hope of somehow using this opportunity to plan some kind of jail break. There's something almost tragic about seeing these two innocent guys being sent to such an unforgiving place and Sidney Poitier's film does have its dark Cool Hand Luke moments but it's also

SILVER STREAK - REVIEW

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Back in 1976, Gene Wilder starred alongside Jill Clayburgh in Silver Streak , an action comedy directed by Arthur Hiller set on a moving train. The film was a box-office success and was significant for being the very first on-screen collaboration between Wilder and Richard Pryor. If you're expecting another Stir Crazy , however, don't because you're setting yourself up for disappointment as Pryor doesn't really enter the picture until about halfway through. The film isn't quite the farce you'd expect considering the always hilarious Wilder/Pryor duo so anyone going back to check this film out might be surprised to find that Silver Streak is, in fact, a surprisingly sophisticated comedy with a Hitchcockian tone. Which is not to say that the film isn't funny, quite the opposite. Gene Wilder is excellent from start to finish nailing both the dramatic, romantic scenes and the goofier moments which begs the question: why no Academy Award nomination? The fil

BLAZING SADDLES - REVIEW

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As far as Western spoofs go, it doesn't get any more classic than Mel Brooks' Blazing Saddles . The film, which follows Cleavon Little's black sheriff as he is sent into a small racist town to defend it from bandits, was a big hit back in the day and it's still seen as one of the greatest comedies of all time. As with many other Mel Brooks comedies, Blazing Saddles could have easily backfired and been dismissed as being in poor taste but the writing (Richard Pryor helped with the script) is so clever and so funny that it somehow completely works as a biting parody of Western clichés and the genre's reluctance to acknowledge the unapologetic racism of the times. The plot is set into motion when Harvey Korman's corrupt State Attorney General Hedley Lamarr decides to drive the people of Rock Ridge out of town in order to lower land prices. He appoints an African American sheriff to shock the inhabitants away but when that doesn't work he tries various oth

LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD - REVIEW

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Director Werner Herzog takes a general yet focused look at the pros and cons of the internet in new documentary Lo And Behold: Reveries Of The Connected World . Told through a series of chapters, Lo And Behold is exactly what you'd expect from a Werner Herzog documentary as the soothing-voiced filmmaker learns about the internet's origins before exploring the impressive technological and scientific advances made possible by being connected to a worldwide network but also the people negatively affected by this seemingly boundless medium. Not one to really impose his own opinions on the audience, Herzog makes sure to show different sides of the equation and leaves the professionals to do the talking when it comes to the more technical stuff. We see how education can reach a greater number of people nowadays but we also see how insensitive anonymous people online can be, we touch upon robotics and space travel but we also meet young gamers dealing with addiction whose lives o

YOGA HOSERS - REVIEW

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Review now available on the new website .

THE BIG REWIND: THE STAR TREK FASCIST - PODCAST

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I n this 71st episode of  The Big Rewind , we review Star Trek Beyond   talk about Rogue One , Jared Leto  and  Explorers . CLICK HERE TO DOWNLOAD THE EPISODE Email us here if you have any questions, requests or contributions:  bigrewindpodcast@gmail.com Or simply comment below :) Oh and you can also find us on  iTunes ,  Stitcher ,  Soundcloud  and  Player FM  where you can subscribe to the podcast and download every episode thusfar! @TheRetroCritic #TheBigRewind retrocriticblog.blogspot.com thebigrewind.blogspot.com youtube.com/TheRetroCritic youtube.com/Cablogula

FUNNY ABOUT LOVE - REVIEW

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Directed by Leonard Nimoy, Funny About Love was a romantic drama/comedy from 1990 starring Gene Wilder and Christine Lahti as a couple who struggle to have a baby and slowly drift away from each other as a result. Like Woody Allen's Husbands & Wives or Kramer vs Kramer , Funny About Love aims to tell a very real story about real people who have real marital problems as we see a genuinely sweet relationship come together then reach a dead-end and finally split apart. It's not too surprising that critics weren't too keen on this one (Roger Ebert hated it) upon its release since the first act of the film tells a harmless enough, pretty adorable love story then purposely takes a detour to uncomfortable places, something which probably lost a portion of the audience who was enjoying the light-hearted aspects of the film and expected another Mr Mom . Indeed, the main couple's attempts at conceiving a child and their eventual split are awkward to witness but if you&