TheRetroCritic

Here's the video version of my Silver Streak review.

Back in 2007, The Coen Brothers swept the Oscars with No Country For Old Men , the bleak tale of a man who finds a briefcase full of money only to then be hunted by a madman. Based on Cormac McCarthy's novel, this was a return to darker territory for the Coens after a couple of more light-hearted efforts. An exploration of young and old, good and evil, right and wrong, No Country For Old Men was maybe Ethan and Joel Coen's most serious and dense film since Miller's Crossing . It stood out mostly thanks to a chilling performance by Javier Bardem as Anton Chigurh, the psychopath with twisted morals who toys with innocents and kills people with an oxygen tank. Tommy Lee Jones' Texas Sheriff Ed is our good guy who desperately tries to make sense of this new unpredictable brand of evil that has landed on his doorstep and Josh Brolin's everyman Llewelyn is the one in the middle of it all who meant well but doomed himself and others by taking something that didn't

This thriller from 2011 sees Nicolas Cage and Nicole Kidman play a couple who are taken hostage in their own home by a group of thieves. Most of the action takes place in one location in a somewhat gimmicky outing from director Joel Schumacher. This isn't the first time Schumacher has worked with Cage as they collaborated on 8MM some time back and the actor is given a decent challenge with Trespass since he is portraying a victim but one who is a smug rich dude on the surface while in fact being a rather brave father and husband and a loser a little bit on top of it. That's actually the interesting thing about this film: it seems like the usual predictable home invasion B-movie with bland, clichéd characters but it does go out of its way to flesh out those family members (and their captors) as the story develops. Both the diamond-dealing husband Kyle (Cage) and his wife Sarah (Kidman) seem to be hiding something from each other, their daughter Avery (Liana Liberato) has

A film so classic reviewing it is almost redundant, Psycho remains to this day one of The Master's finest hours and one of the best horror films ever. Over the following years Psycho was much imitated, continued, even cloned (!) but you can't touch the original and nothing has even come close since to match Hitchcock's unsettling masterpiece. Every frame is carefully crafted and Janet Leigh's famously early demise is as infamous and delightful as ever. It is however Anthony Perkins' haunting portrayal of a quietly disturbed Norman Bates which steals the show: this is one of the great performances and wannabe bad-guys should watch it on a loop thereby learning a few things about creating a convincing and most definitely not hammy antagonist. The reveal at the end may not quite carry the punch it once had and the doctor's simplistic and over-indulgent explanation at the end is always somewhat tedious but as a whole, this is an unavoidable classic

I have to say after all this talk of Hitchcock this and Hitchcock that I was expecting more than a "guy-in-a-box" concept movie. To give the film credit, for a film set in a coffin it does a good job keeping you entertained throughout. Loved the opening titles...and that's all I can say really. Overall Buried was pretty...pedestrian in its writing, acting and overall storytelling. Didn't think Ryan Reynolds was particularly convincing and a lot of his panting, screaming and heavy breathing felt forced and strangely comical at times. I also felt that the whole Irak setting and terrorist plot was obvious, clumsy and clichéd. Sure the film is a metaphor of the war etc. but it really didn't need to be. It should have just been about a guy in a box, with no recollection of how he got in, trying to call for help only to, at the end, get out and find that he's somewhere he never expected. Like a good episode of the Twilight Zone ! The bad guy on the phone felt s