TheRetroCritic

Review of the Chevy Chase comedy Modern Problems .

Directed by Steven Spielberg, Always is a 1989 romantic comedy/drama starring Richard Dreyfuss as an aerial firefighter who is killed while trying to save someone else and who then comes back as a spirit to guide another pilot in his life. Loosely based on WWII drama  A Guy Named Joe , Always tends to be one of Spielberg's most forgotten films mostly due to the fact it's arguably his cheesiest effort so those not too keen on sentimental stories or those expecting an action film won't exactly go wild for this one. Having said that, this is still a gorgeous-looking film with a lot going for it. The criminally underrated Richard Dreyfuss is at his most charming and cocky here as reckless pilot Pete who constantly worries his girlfriend Dorinda (played by Holly Hunter) with his careless flying. Pete almost crashes on her birthday and, while this leads to a heartfelt romantic moment, it also leads to Dorinda giving him an ultimatum to get him to stop risking his life at ev

1997 was not a great year for superhero movies: not only did we get Batman & Robin but we also got Spawn and, although the latter was much more interesting and original than the former, it received some pretty rough feedback from critics and audiences alike. Based on the dark supernatural comic-books, Spawn sees special forces soldier Al Simmons (Michael Jai White) get double-crossed by Jason Wynn (Martin Sheen), the head of the agency who sent him on his latest mission. Simmons is burned alive and left for dead leaving him not only horribly disfigured but undead as a short trip down to Hell dooms him to eventually lead the Devil's army. In retrospect, attempting to tell this story on a $40M budget was somewhat over-ambitious seeing as the film was not only packed with special effects but builds up to a climax set in Hell with Spawn fighting a demon. Michael Jai White does a solid job as Spawn and it's pretty refreshing to see a film with an African-American superh

One of the two films Nicolas Cage starred in last year was Pay The Ghost , a supernatural thriller about a father whose son disappears all of a sudden on Halloween night. Of course, the film then doesn't try to say anything about loss or neglect like, say, The Orphanage , instead going for a ludicrous horror mystery plot you'd have to be pretty darn high to even consider believing. The film's first mistake, really, was to have Cage running around frantically looking for his son dressed up like a cowboy. If that doesn't suck all the potential drama out of the scene, I don't know what could. Oh sure it's a riot and as a fan of the actor's wackier efforts I'm loving it! But silly stuff like this doesn't help the film much, unless giving us an early hint that it builds up to a truly absurd ending counts as helping. Now, you could have easily told an interesting, heartfelt story here about a bad father who loses everything but tries to make up for

Oddball genius Nic Cage returns with yet another supernatural effort and although we're not getting the delightfully madcap Cage of Bad Lieutenant or Vampire's Kiss , this is restrained but silly NC. Always entertaining. He stars alongside Ron Perlman in this adventure which sees both knights/crusaders escort a witch to some castle. From the offset we get bad hair, silly helmets, dumb one-liners, American accents and epic slo-mo: all the ingredients of a true epic fail. And yet, from the genuinely very good opening sequence, this is a really fun ride from start to finish.  In what other film can you see Ron Perlman headbutting a demon repeatedly in the face? Well, perhaps Hellboy... But still, it's awesome! The whole thing feels very Hammer from the start and this feeling is confirmed when Christopher Lee himself shows up for a creepy but effective cameo. Everyone seems to be having a ball and although the ending relies way too much on CGI, it's well wor

Shyamalan produces this first instalment of his "Night Chronicles" and surprisingly creates an entertaining, if uninspired, horror tale. After a truly engaging Hitchcockian first half the film unfortunately chooses to go down the familiar path of every silly supernatural horror film ever made and pick off its characters one by one only to build up towards a hammy revelation which doesn't really make sense. It's a shame because Devil really didn't need to be a supernatural horror. Had it stuck with its original premise and gone for a more Speed / Phone Booth -style thriller it could have been a genuinely tense and clever film. Alas, Shyamalan's head-explodingly naive religious message and childish take on the horror genre boils down an otherwise decent outing to a very watchable but flawed first attempt. One hopes the silliness is either kept quiet or full blown to its maximum in further instalments.

Blaming Twilight entirely for the recent burst of corny teen nonsense (shriek! abs!) is easy but one mustn't forget all the Hannah Montanas and High School Musicals which helped kick start the new trend of (shriek! abs!) pseudo-romantic teen movies. Yes Dear John , I'm pointing at you too. You wartime-set, letter sending...bastard. Anyway, so one could say Twilight is partly to blame for the spread of (shriek! abs!) naivety throughout modern cinema but the real culprit really is Disney. And with the company now proud owner of the rights to Marvel films, god help us all... And so we get to Zac Efron (shirek! abs!). I managed to avoid 17 Again but I have to say the trailer for Charlie St Cloud was unintentionally funny enough to spark my interest. The High School Musical alumni's puppet-like stare and Mentos-selling grin might just provide some welcome comedy! Charlie St Cloud, indeed, was pretty funny. But also pretty harmless. As a film I was expecting something n