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WHAT IS THE BEST PIXAR MOVIE?

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I talk about my favourite (and not-so favourite) Pixar movies.

MY TOP 10 BEST FILMS OF 2015

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2015 was a strange year for movies: a lot of Oscar-bait, a lot of mindless blockbusters, some gems in-between. Oddly, it turns out I didn't go to the movies quite as much as past years so take this top 10 with the knowledge that I shall amend the list eventually when I'm finally all caught up with some key indie flicks. In the meantime, here are my 10 Best Films Of 2015 : 10 RUN ALL NIGHT You could be forgiven for purposely missing this movie when it came out. Armed with an awful title and a synopsis not too dissimilar from every other Liam Neeson B action flicks, Run All Night could have had Neeson in a bikini on the poster and people would have still not wanted to see it. Which is a shame since it was actually a really good thriller with Ed Harris on top intimidating form as the main baddie, lots of well put-together, tense action sequences and some nifty cinematography. Like last year's A Walk Among The Tombstones , this is not only far better than Taken bu

INSIDE OUT - REVIEW

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When Pixar announced Inside Out , a film mostly taking place inside a kid's head, it sounded insane but promising in that it's something that hadn't been done before and it had the potential to be the animation studio's most affecting film since Up . The film's big concept is explained to us little by little as we see young Riley's early years develop from a single emotion, Joy (voiced by Amy Poehler), to several including Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black) and Disgust (Mindy Kaling). When Riley and her parents move to San Francisco, this jumbles up her emotions to the point where Joy and Sadness find themselves out of the loop completely. The film follows the latter two as they desperately try to get back into Riley's head through any means possible. This is arguably the most surreal Pixar adventure since Monsters Inc. , which was also directed by Pete Docter, and the gimmicky concept once again doesn't distract from