TheRetroCritic

Following The Ridiculous Six , Adam Sandler delivers his latest Netflix-produced creation The Do-Over , a buddy comedy in which Sandler gives David Spade's loser the chance to build a whole new life for himself. It's a much smaller film in scale than the aforementioned Western and it's all the better for it as it allows more focus on the characters and the story rather than endless silly jokes and too many side characters. Which is not to say The Do-Over doesn't have silly jokes but it doesn't feel the need to hit you over the head with them too often. The core premise is pretty clever as Max, Sandler's character, reconnects with Charlie (Spade), an old friend from high school, before the former takes it upon himself to fake their deaths in the hope of freeing each other from the burdens of their current lives. It turns out that Charlie isn't too keen on reinventing himself just yet plus it turns out that Max isn't the FBI agent he was claiming to b

Here's a movie which, on paper, sounds like the worst thing you'll ever see: an Adam Sandler rom-com starring Drew Barrymore as a girl with no short term memory, a girl Sandler has to woo every single day. The Hawaii-set romantic comedy, as expected, is a pretty cheesy affair with more than its share of infuriating moments. For one thing, Rob Schneider cameos as Sandler's slobby pal so expect loads of bad jokes and borderline racist stereotyping, plus awful child actors speaking loudly around him as a bonus. Then there's the plot which is about as believable as whatever happened in The Adventures Of Pluto Nash and the earnest way in which it's handled often clashes with the usual mostly low-brow Happy Madison brand of humour. Walrus vomit jokes, anyone? Then there's Drew Barrymore who really does her utmost to hammer in how adorable she is, often to irritating effect. Though one scene sees her hitting Schneider repeatedly with a baseball bat, something